Blackmagic Design Production Camera 4K Camcorder

Product Information

Capturing Ultra HD (3840 X 2160) resolution on a Super 35 sensor in the high-quality ProRes 422 (HQ) format, the Production Camera 4K breaks new ground when it comes to the relationship between quality and price. Whooo hoooo....we finally somehow manage to receive an update from an actual employee of BMD....keep em coming as I am sure there are customers that have either spent money or are thinking of spending money and really appreciate it. Ethernet supports 10/100/1000 BaseT. Allows direct connection between panel and chassis, or vianetwork. Internal Timecode Generator

Ethernet supports 10/100/1000 BaseT. Allows direct connection between panel and chassis, or via network. Tally Output Apologies if this is better suited for the Resolve subforum, but I am a little confused about color space and gamma settings for BMP4K Film mode footage in Resolve. The naming conventions for IDTs/LUTs/transforms/etc seem somewhat inconsistent. I just wanted to give everyone the heads up about PNY drives and the BMCC. The XLR8 480gb drives seem to have changed, but are still being sold in the same box! Power: Integrated Lithium-ion Polymer rechargeable battery, 12V-30V DC port for external battery power, 12V AC adapterSo yes, use the GH4 for HD video, but don't expect it to deliver much when you are switching it over to 4K mode. The hassles don't quite end there, either; every time you shut the camera off, the software turns off focus peaking, which is damn annoying if you're shooting on the move. Also a pain: if you switch recording formats, the camera undergoes a mini reboot, and you'll have to refocus on the subject you want to shoot. Soon Sony will drop AVCHD for video in their cameras like a bag of fermenting potato and replace it with cameras shooting in the XAVC S codec, and the better model shooting in undiluted XAVC. The original 2.5K camera had fundamental architectural differences in firmware compared to the other cameras which doubled the effort when trying to do any bug fixes or add new features to the cameras. As such, we knew we had to re-architect the firmware so as to bring it up to speed with the current cameras. This is not simple and taking longer than we thought. However, we are close now, close enough that beta versions have been seeded to some users for the past few months.

Ethernet supports 10/100/1000 BaseT. Allows direct connection between panel and chassis, or vianetwork. Tally Output TTL35: Agree with most what you said, but perhaps yabokkie was thinking about the new and by all accounts, truly great dedicated 4K and HD Sony codec cameras that are just now starting to come out. Using XAVC and XAVC S video codecs. Its much easier to use ACES with RAW files where it's all handled internally in either Resolve or the SDK. Yes, we want to do this. A large part of the work has been completed so I don't believe this will be a big effort to implement. However, it is very unlikely that we will support deleting of clips directly in camera due to the risk of media fragmentation.

Blackmagic Design Announces Blackmagic Production Camera 4K is now Shipping with a New Low Price!

The camera features a 6G-SDI connector that allows single-cable 4K transfer. It also includes a Thunderbolt connector and a LANC connector for controlling record, stop, focus and iris settings, remotely. For ProRes I'll be honest, I haven't looked at whats available in Resolve but will follow it up. But yes you need IDTs not only for each camera, but for each ISO. This is the same as other cinema cameras like ARRI etc. And prior to Gen 4 you would need IDTs for each colour temperature you shot with, as ARRI has available here for their linear files (you'll see in each EI/ISO folder multiple files for each CCT/correlated colour temperature):

Our gamma's are currently all specific to each camera as the log curves are specially tailored to the response of each camera/sensor. So you should always use the one labelled for the camera.I'm having trouble recording raw on my BMPC. I have two Kingston HyperX Savage 480 GB (SHSS37A/480G) that are listet as approved for raw recording, but I can only record about 6-10 seconds before I get a red exclamation mark on my display. I have tried formatting the drives in both HFS+ and exFAT.

The next day, we headed out to Brooklyn Bridge Park to capture some 4K footage of NYC’s Financial District, just across the East River, and the Statue of Liberty, out in the New York Bay. It doesn’t take much preparation or setup to start capturing solid footage with this camera, which is a huge plus for people working in situations where time is of the essence. In “Film” mode, which is the other capture option, the full dynamic range from the camera’s image sensor is recorded (as with most RAW formats), so there’s much more information available in the clips when it comes to post-production/color correction — which is especially important when it comes to adjusting the highlights and shadows of the images. Fran Tormo wrote:I´m a little bit confuse too because Resolve detect that is V4 in RAW tab, but if I tried to select in

Other Interface: 2.5mm LANC for remote control; Thunderbolt port for capture of HD video and audio; USB 2.0 mini-B port for software updates and configuration I have had the same issue. All three of my HyperX Savage 480GB drives will drop frames. I just found out that they drop frames even when shooting at 1080p in ProRes HQ, which is ridiculous.