spartanly colored Enterprise interiors. This is a very dark film, visually, and the Dolby Vision grading supports this look nicely but still nails

Next up, Dennis has delivered his take on Don Owen’s Nobody Waved Goodbye (1964) on Blu-ray, also from Vinegar Syndrome. An 8-disc set, it will include the newly-remastered films in BOTH 4K Ultra HD and Blu-ray Disc formats (scanned in 4K from original elements), along with Digital codes for the Theatrical Cuts of each film. The remastered films will also be available as Blu-ray singles.

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is a revelation compared to its previous bout on HD, being bright, detailed, well coloured and retaining a good grain structure, the image has never looked better. The sound has a very light upgrade to Dolby TrueHD 7.1 (from 5.1) but is still a bit front heavy, though dialogue and effects are well mixed and there is good bass. All the extras are ported over, but sadly nothing new has been added. Dennis has posted his thoughts on Andrew V. McLaglen’s 1965 Civil War drama Shenandoah, which stars Jimmy Stewart. The film arrives on Blu-ray from Kino Lorber Studio Classics on 7/27.

So as of this week, all 13 theatrically released Star Trek films are finally available in 4K and HDR. The latest releases also support the Dolby Atmos audio standard in addition to Dolby Vision HDR. Supplements from the original release carry over. This set also includes a remastered Blu-ray disc, which Update: A previous version of this article failed to properly distinguish between the non-AI and AI techniques used in prior attempts to remaster portions Deep Space Nine. It was corrected in an update.And good news, international fans — while this new collection arrives in the United States and Canada on September 7, it’s not limited to North America! There’s no new content to be found here, but the legacy extras (found on the Blu-ray) are more than enough to keep any Trekkie occupied for a few hours. That’s a lot of rich material for this film to play around in, but unfortunately, it doesn’t give much for the rest of the crew to work with. That's my lone complaint about this adventure. By and large Frakes’ Riker, Burton’s Geordi, Dorn’s Worf, McFadden’s Crusher, and Sirtis’ Troi are mere pawns to simply move around from one plot point to the next. They’re not really there to expand their characters but to inhabit space so side characters like Alfre Woodard’s Lily and James Cromwell’s Zefram Cochrane can explore weightier issues of honor, duty, and legacy. It is nicely pronounced and effortlessly integrated, capturing a seamless and natural, straight-from-theaters filmic experience. With no scrubbing at You’re right — the images with the review are completely unhelpful. It would have been better not to include them at all.